HEre in this section, like in my previous website. I'll introduce different kinds of music for you guys to know. Hope you guys enjoY!

LINkin Park
written by:jonO`~
THIs is their second album-the reanimated one. Essentially a repackaged album to cash in on the band's current popularity...! It has these new songs:"HIgh voltage,My december....etc"
THUMPZ up: Despite the band's rough-looking demeanour n sound...u WONT finda single SWEAR WORD on this album..!
n GUESS wat..their lateST ALBUM "MEtEORA" iz now AVAILABLE!!!!!!!!
Kerblocki "Kerblocki" Looking for something new and tastey? Try Kerblocki they are serve up tracks like "Sushi Bars" on their self titled ep that will leave you hungry for more in about a half hour (you know how asain food is). Kerblovki is a new breed of Hip-hop/rap core/rock, they take rock heavy rifts and merge it with a fun old skolish style of flow and what comes out is kinda like the Beastie Boys meet the U.MC's. Out on Bifocal Media give it a try. -- Keith Jacobs
Flick It "For the Hearing Impaired" From start to finish you can describe Flick It "For the Hearing Impaired" in one word. RAW! Not may groups can bring the energy of their stage show to a recording but Flick It brings its take no prisoners attitude and puts it straight down to disk. "We're all the same" starts the disk with a voice and speech that will set the mood then Flick It brings it with a highly head bobbable track. One of the strengths of this album is the range of styles it crosses from dark guitar driven tracks like "Sanity" to almost ska influenced tracks like "Beatrice". Through and through its worth a listen. check Flick It here
Rage Against The Machine "Renegades" Too bad all good things always seem to have to come to an end. This head-stomping collection of cover tunes was Zack De La Racha's swan song with Rage Against the Machine. Well, at least he can look back at it in pride. De La Racha and his former bandmates add dimension, new relevance and yes, a genuine hint of rage to these tunes. They take Bruce Springsteen's rather lackluster, depressing ballad "The Ghost of Tom Joad" and turn it into an ominous, echoing poem of modern desperation. The Rolling Stones' "Street Fighting Man" is an all-out call to war against any manner of oppressor. And the radio single, a mind-bending version of Afrika Bambaataa's '80s song "Renegades of Funk" is a masterpiece. Let's only hope that whatever the guys in Rage do will continue to be strong, but they'll never be quite the same as they were with this lineup. Look back and remember. -- Sage --
Safety In Numbers "Build and Structure"words by: Aj~
It's not hard to understand why musicians need side-projects. Playing within the constraints of their primary band's defined sound can get boring and, so, like in any relationship, a person may feel the need to have a little something else on the side. For bands, unless like Radiohead they can successfully experiment together, cheating may be just the thing to keep things fresh. Funny thing about these side-projects, though, is that sometimes they overshadow the primary band.
With Safety In Numbers, this is exactly what Andy Jackson of Hot Rod Circuit accomplishes. On the trio's debut "Build and Structure," Jackson stops chasing his tail around the emo track to make an engaging and emotionally charged album. Unlike his main project, Safety In Numbers manage to be rocking and catchy without blending in with the ubiquitous and generic pop punk throngs.
On this album, Safety In Numbers straddle the line between the post punk sound of Quicksand and the pop rock of Hot Rod Circuit. Though it may not be a radical departure lyrically, these 10 songs find Jackson breathing life into a tired sound. He successfully takes post punk's urgency and technicality injecting it with melody and pop sensibility. Opening with the edgy "Alone" segueing into the poppy "Waiting Around," the songs vary in tone and feel but still hold as a cohesive, solid album. When the last track ends, I find myself wishing that Jackson would cheat on his bandmates more often.
Check www.triplecrownrecords.com for more info.
Lord of the Rings: "The Two Towers Soundtrack"Composed by Howard Shore Performed by London Philharmonic Orchestra with Sylvia Hallett and Gregory Knowles
You have read the books by J.R.R. Tolken and they have taken your imagination down the winding paths of Middle Earth. You have seen the epic adventure come alive on screen and thrilled at the cinematic triumph that turned the images in your head into celluloid. Now, hear the fantastic score that breathes dark life into the story seen in "Lord of the Rings: The Two Towers". Delivering you into the heart of Mordor, this score captures every magnificent event of the movie.
As a skateboarder, though, you may be wondering why should you purchase this soundtrack? Really, how often is an orchestrated soundtrack heard in a skateboarding video or at a competition? Well let me put it to you this way, if you view skateboarding as a form of self-expression or as a kind of art, then you should be able appreciate this soundtrack. If you appreciate the deftness and skill of technical skating, then you can appreciate the ability of Howard Shore. The Academy Award-winning composer has written and/or conducted music for many films you may have seen, including "Gangs of New York," "The Cell," "High Fidelity" and "Dogma," and wrote the theme for "Late Night with Conan O'Brien." Shore's art, much like skating, often goes unappreciated to the casual observer. Soundtracks, though, are vital to movies in the same way bearings are to skating.
Another reason you should pick this up is for all of the added features. Similar to the extended version of the DVD, the soundtrack also carries ton of added material. The jewel case itself features an insert of one of five exclusive collectable character cards from the movie. This enhanced CD also features bonus multimedia content, including one exclusive online trading card, screensavers and buddy icons. One enhancement I really liked was being able to watch the making of the score and preview the score's video online.
Though some of you won't ever pick up this soundtrack, you should. I have long been a fan of the books, and am now a big fan of the movies (and DVD's), and will keep playing this soundtrack for years to come. Just like you should diversify your tricks, you should do the same with your CD collection and pick this soundtrack up.
Seven Nations: "and now it's come to this"
It took me a looooooong time to write this review. The reasons for that length of time are various and most just have to do with me being a slacker. It's not like I didn't listen to "and now it's come to this", however. Lots of times I popped it into my car stereo, or into my trusty laptop, or into the changer at the house while I was washing dishes or something. I gave the album lots of lisening time, searching for something to hang my review on, something to say "YES! That's what's great about Seven Nations." or "Seven Nations is the worst band ever." Well, I am writing the review now and I can confidently tell you Seven Nation's "and now it's come to this" sits somewhere between very good and mediocre.
Now, I know all six of you who are reading this are currently saying "Thanks a lot, jerk. 'Between very good and mediocre.' The poor guy in the Wal-Mart electronics section where they sell all the CD's could have told me that. Hell, they guy in Automotive could have told me that. Idiot reviewer." Be that as it may, let me tell you the reasons for the difficulty in nailing down Seven Natrons. See, some of the songs on the album are really generic, forgettable rockish tunes that would serve as filler on some college radio station somewhere, barely distinguishable from, say, the Gin Blossoms or Better than Ezra ("You'd be mine"). Some of those generic-sounding songs are enjoyable and catchy ("the big yellow bus"). If that were all that were on "and now it's come to this" I would say you'd be better of by skipping the album. But there are also some interesting songs, where an Irish fiddle or accordion comes in ("waiting for midnight," "very nice" - which is my favorite song on the album). There is a cool instrumental diddie ("jump_START") that is both Irish and funky, if such a thing is possible. There is also a nice pop-punk track with fiddle ("last call"), which sounds like a Flogging Molly song. That's a good thing. Lurking behind the genric pop-rock songs is some interesting instrumentation and pretty good songwriting. The singer also has an interesting voice which adds a lot to the whole album.
What Seven Nations needs to do (at least in order for me to review their next album in less time than this one) is to figure out how to take those unique elements lurking within a lot of their songs and make those interesting elements more prevalent. Otherwise, it's all a little generic. Not great, but not at all bad. Give it a listen.
Check http://www.sevennations.com/ for more info
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